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JANET MCKENZIE


Quiet Emma

Quiet Emma
Painting (H 7in x W 8in)
Study for Sojourn II

Study for Sojourn II
Painting (H 18in x W 13in)
Hope

Hope
Painting (H 48in x W 30in)

Journey

Journey
Painting (H 40in x W 24in)
Ave Maria

Ave Maria
Painting (H 42in x W 30in)
Paradise

Paradise
Painting (H 54in x W 42in)

Madonna and Child

Madonna and Child
Painting (H 42in x W 24in)
Phoenix Rising

Phoenix Rising
Painting (H 54in x W 42in)
The Prayer Shawl

The Prayer Shawl
Painting (H 48in x W 34in)

Journey to the Light

Journey to the Light
Painting (H 54in x W 42in)

Artist Biography

 

Janet McKenzie studied at the Fashion Institute of Technology (NYC) and the Art Students League (NYC), on scholarship (Merit, Arnold Blanch). She was the recipient of the Edward McDowell Traveling Scholarship, which sent her to Europe for a year to study and travel. At the time she was one of the youngest recipients of the McDowell, which is the Art Students League’s most prestigious award. After returning to New York the League gave Ms McKenzie her first solo show. Since that time she has focused her life’s work primarily on the subject of women. 
The artist’s devotion and commitment to imagery of women has in many ways to do with the loss of her mother and grandmother at an early point in her life. She realized that their journey – all women’s really – was interwoven and linked together. She grew to believe that her work would serve as a symbolic voice for women who were not able to speak for themselves. 
In the mid nineties Janet McKenzie began to incorporate diversity, children, and symbolic imagery into her work with women. At the same time the need to explore a sacred voice within her work surfaced, partly influenced by time spent in New Mexico. 
Janet McKenzie’s painting, “Jesus of the People”, was selected winner of the National Catholic Reporter’s competition for a new image of Jesus at the Millennium by judge, Sister Wendy Beckett, art historian and BBC television host. Her interpretation of Jesus pays homage to two groups usually left out of such imagery, African Americans and women. In the words of Sister Wendy, “This is a haunting image of a peasant Jesus – dark, thick-lipped, looking out on us with ineffable dignity, with sadness but with confidence. Over His white robe He draws the darkness of our lack of love, holding it to Himself, prepared to transform all sorrows if we will let Him.” 
Janet McKenzie is currently working on "African American Women Celebrated". This new body of work pays homage to women of color and brings together themes long important to the artist, Motherhood, Iconic Women Alone, Children (the future) and the Gift of the Elderly. "African American Women Celebrated" is generously funded by the Breyo Fellowship.

 

Janet McKenzie studied at the Fashion Institute of Technology (NYC) and the Art Students League (NYC), on scholarship (Merit, Arnold Blanch). She was the recipient of the Edward McDowell Traveling Scholarship, which sent her to Europe for a year to study and travel. At the time she was one of the youngest recipients of the McDowell, which is the Art Students League’s most prestigious award. After returning to New York the League gave Ms McKenzie her first solo show. Since that time she has focused her life’s work primarily on the subject of women. 


The artist’s devotion and commitment to imagery of women has in many ways to do with the loss of her mother and grandmother at an early point in her life. She realized that their journey – all women’s really – was interwoven and linked together. She grew to believe that her work would serve as a symbolic voice for women who were not able to speak for themselves. 


In the mid nineties Janet McKenzie began to incorporate diversity, children, and symbolic imagery into her work with women. At the same time the need to explore a sacred voice within her work surfaced, partly influenced by time spent in New Mexico. 

 

Janet McKenzie’s painting, “Jesus of the People”, was selected winner of the National Catholic Reporter’s competition for a new image of Jesus at the Millennium by judge, Sister Wendy Beckett, art historian and BBC television host. Her interpretation of Jesus pays homage to two groups usually left out of such imagery, African Americans and women. In the words of Sister Wendy, “This is a haunting image of a peasant Jesus – dark, thick-lipped, looking out on us with ineffable dignity, with sadness but with confidence. Over His white robe He draws the darkness of our lack of love, holding it to Himself, prepared to transform all sorrows if we will let Him.” 


Janet McKenzie is currently working on "African American Women Celebrated". This new body of work pays homage to women of color and brings together themes long important to the artist, Motherhood, Iconic Women Alone, Children (the future) and the Gift of the Elderly. "African American Women Celebrated" is generously funded by the Breyo Fellowship.


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