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JERRY JORDAN


Childhood Memories

Childhood Memories
Painting (H 17in x W 17in)
Autumn Whispers

Autumn Whispers
Painting (H 12in x W 16in)
Fall's Palette

Fall's Palette
Painting (H 14in x W 14in)

Symphonies in Mud

Symphonies in Mud
Painting (H 16in x W 18in)
Reverence of the Indian Way

Reverence of the Indian Way
Painting (H 18in x W 20in)
The Power of Now

The Power of Now
Painting (H 6in x W 8in)

Natural Harmony

Natural Harmony
Painting (H 6in x W 8in)
One More Fall Day

One More Fall Day
Painting (H 6in x W 8in)
A Call to Worship

A Call to Worship
Painting (H 6in x W 8in)

We Celebrate Yesterdays and Tomorrows

We Celebrate Yesterdays and Tomorrows
Painting (H 20in x W 24in)
Sleepy Adobe

Sleepy Adobe
Painting (H 6in x W 6in)
Taos, There's No Place Like Home

Taos, There's No Place Like Home
Painting (H 6in x W 8in)

Season for the Aspen

Season for the Aspen
Painting (H 10in x W 12in)
Annual October Ride

Annual October Ride
Painting (H 11in x W 14in)
Changes of the Mountain

Changes of the Mountain
Painting (H 6in x W 8in)

Now and Forever

Now and Forever
Painting (H 14in x W 14in)
I Am The Observer

I Am The Observer
Painting (H 14in x W 14in)

Artist Biography

Jerry Jordan was born on May 4, 1944 to a west Texas farming family. Raised in a churchgoing Pentecostal household with plenty of music and singing, Jordan did not have much chance of exposure to art, but it somehow found him anyway.

Jordan’s first foray into the world with which he would later fall in love came at 13 when his mother gifted him a paint-by-numbers picture set which he proceeded to complete and then used the leftover paint to create his first original paintings.

Later, at 17, while at a family gathering in Paris, Texas, Jordan wandered into the open door of a studio belonging to the artist W. R. Thrasher. Thrasher had paintings all over the studio, lined up and ready to be taken to market in Dallas where they would be sold.

“I can still smell it; the thinner, the paint,” reminisces Jordan. “Talk about inspired! I didn’t know it before, but I thought, 'This is what I want to do.'"

Jordan was so inspired that he asked Thrasher if he would consider taking him on as a student. When the artist refused his request, the determination that would prove invaluable later in Jordan’s career manifested and he began to write letters to Thrasher asking him to reconsider. Over a period of several months Jordan wrote 4 letters to Thrasher. Along with his 4th letter, Jordan also sent a small painting, sure this would change the artists mind once he laid eyes on it.  When there was still no response from Thrasher, Jordan wrote yet a fifth letter, this time admonishing Thrasher for his rudeness and demanding that at the very least, he return the painting.

It was this last letter that finally drew the artist’s attention and he invited Jordan to come and study with him, which he did. He spent two weeks with Thrasher the summer that he was 18 and three weeks the summer he was 19.


It was at the end of the summer in 1963, that Jordan first came to Taos. He fell in love with paintings by the early 20th-century Taos painters hanging on the walls of the lobby, dining room and hallways of the Kachina Lodge where his family stayed. It was through the filter of these paintings that he first saw the beauty of the Taos landscape. Jerry and his wife now reside in New Mexico.

Jordan continues to draw inspiration from the Taos masters. His paintings are rich and vivid; seeming to capture not only beautiful images of Taos landscapes and pueblo life, but also the feeling of Taos itself. Using his mastery of color and strong brushwork to create incredible texture, Jordan breathes life into the images of his beloved land.




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