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JERRY JORDAN


I Am The Observer

I Am The Observer
Painting
When a People Stand Together as One

When a People Stand Together as One
Painting
Magic That Invades the Heart

Magic That Invades the Heart
Painting

Woven in the Tapestry of Nature

Woven in the Tapestry of Nature
Painting
We are Held Together like a String of Pearls

We are Held Together like a String of Pearls
Painting
I Certainly Love Being in this Village

I Certainly Love Being in this Village
Painting

Close to Home

Close to Home
Painting
My Life For Awhile

My Life For Awhile
Painting
I Look Up and See

I Look Up and See
Painting

Etched Upon My Soul, Mountain Majesty

Etched Upon My Soul, Mountain Majesty
Painting
What a Difference a Day Makes

What a Difference a Day Makes
Painting
Time Seems to Stand Still

Time Seems to Stand Still
Painting

The Day of Feast

The Day of Feast
Painting
The Final Colors

The Final Colors
Painting
Time of Refreshing

Time of Refreshing
Painting

Autumn's Sacred Melody

Autumn's Sacred Melody
Painting
The Quiet of Winter

The Quiet of Winter
Painting
A Moment To Remember

A Moment To Remember
Painting

The Welcomed Guest

The Welcomed Guest
Painting
Summer Showers

Summer Showers
Painting
Some Journeys Cannot Be Put Into Words, Only Experienced

Some Journeys Cannot Be Put Into Words, Only Experienced
Painting

Artist Biography

Jerry Jordan arrived in New Mexico in 1964 and immediately was captivated by the beauty, the community and the historic artists that came before him. He studied the paintings by the Taos Founders and the few that were still alive shared their thoughts with him and strongly influenced the direction that his paintings would take.

As a boy in high school, in West Texas, he was fi rst exposed to the world of an art when he came upon professional artist, W.R.Thrasher’s studio, and eventually convinced the artist to mentor him. Jordan had never seen so many paintings in his life; still lifes, seascapes, and landscapes, and it totally captivated him. It inspired him to learn as much as he could from Thrasher and it gave him the basic foundation for his future as an artist.

Spending his time between Texas and Taos, Jordan continues to paint the Taos landscape and life at the Pueblo. He was adopted in 1984 by the Reyna family from the Taos Pueblo and for a short time lived with them. He has developed a deep understanding and respect for the Pueblo Indians and it is refl ected in his paintings. That same year, he and his wife Marilyn, bought a historic adobe home where they lived along with their two daughters for many years.

Jordan paints whatever interests him with authenticity, including Pueblo Indian subject matter, landscapes, flowers and adobes.


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