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WILLIAM HASKELL


Divine Intervention

Divine Intervention
Painting (H 24in x W 18in)
Divide

Divide
Painting (H 10in x W 8in)
Velarde Moonrise

Velarde Moonrise
Painting (H 15in x W 22in)

Approaching Winter

Approaching Winter
Painting (H 21in x W 12in)
End of Autumn

End of Autumn
Painting (H 22in x W 30in)
Turbulence

Turbulence
Painting (H 9in x W 12in)

Winter Solitude

Winter Solitude
Painting (H 40in x W 30in)
Winter Solstice

Winter Solstice
Painting (H 17in x W 11in)
A Fleeting Moment

A Fleeting Moment
Painting (H 30in x W 20in)

Prairie Stormfront

Prairie Stormfront
Painting (H 16in x W 12in)
Spreading His Wings, American Kestrel

Spreading His Wings, American Kestrel
Painting (H 12in x W 18in)
Island Summer

Island Summer
Painting (H 9.5in x W 11in)

Back Country

Back Country
Painting (H 10in x W 19in)
The Overlook

The Overlook
Painting (H 12in x W 15in)

Artist Biography

Nestled in a high desert terrain, the villages of Northern New Mexico inspire artist William Haskell to create exquisite watercolors which reflect his passion for this unique and diversified landscape. Weathered adobe structures are drenched in a crisp white light beneath New Mexico mountain ranges in many of Haskell’s colorful watercolors. His focus on detail in his work goes beyond mere description of subject and draws the viewer into the painting for a more intimate connection with everyday forms and a sense of place.

Haskell began drawing at the early age of four and was introduced to watercolor by the age of eleven. He says, “Drawing is the basis for my painting and it has been essential for me to continuously develop my drafting skills.”

Working primarily in watercolor, Haskell has become known for the depth and quality of his glazes. He says, “With the use of dry brush techniques, I am able to take the watercolor to a different level by working as translucently or opaquely as needed. I use 300-pound watercolor paper with a smooth, hot press finish. I seal, dry-mount and archivally varnish the finished painting. This removes the need for glass, which traditionally protects a watercolor which allows the user to get closer to the work.”




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